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Dancing with the Ancestors: Ghana's Elaborate Funeral Traditions and the Art of Celebrating Death cover image
Pre-Colonial Era

Dancing with the Ancestors: Ghana's Elaborate Funeral Traditions and the Art of Celebrating Death

Ashanti Region, Greater Accra Region, Central Region, NationalPre-Colonial to Present7 min read4 chapters

  • Funeral Traditions
  • Fantasy Coffins
  • Paa Joe
  • Akan Culture
  • Ashanti
  • Ga People
  • Ancestral Veneration
  • Adowa Dance
  • Cultural Heritage
  • Blackened Stools
  • Dagomba
  • Ewe
↓
1 of 4

Chapter 1

Part 1

On any given Saturday in Accra, Kumasi, or Cape Coast, the sound of brass bands, the flash of elaborately printed funeral cloth, and the sight of hundreds of mourners dressed in black and red or traditional kente converge into one of Ghana's most defining cultural spectacles: the funeral. In a country where death is not the end but a magnificent departure to the realm of the ancestors, funerals are celebrations as much as they are mourning, occasions where the living honour the dead with a display of love, status, and cultural identity that can last an entire weekend and cost more than a wedding.

The philosophical foundation of Ghanaian funeral culture lies in the Akan concept of "sunsum" (spirit) and the belief that death is a transition, not a termination. The deceased does not vanish but joins the "nananom nsamanfo" (revered ancestors), who continue to influence the fortunes of the living. A proper funeral ensures the deceased's smooth passage to the ancestral realm and maintains the spiritual balance between the living and the dead. A funeral poorly conducted, according to tradition, risks angering the spirit of the deceased, who may return to trouble the family. As the Akan proverb states: "Owuo atwedee, obaako mforo" (Death's ladder is not climbed by one person alone).

Among the Ashanti, the funeral of a chief (Odehyee) or royal is the most elaborate of all. When an Omanhene or significant elder dies, the body is first washed and dressed in the finest kente cloth. The face may be adorned with gold dust, and the body is positioned on a bed of state (a traditional wooden platform draped in rich cloth) for the lying-in-state period, which can last several days. During this time, delegations from allied chieftaincies and clans arrive to pay their respects, each group announced by drummers playing specific rhythmic phrases that identify their lineage. The adowa dance, performed by women in graceful, sweeping motions to the accompaniment of fontomfrom drums, is the quintessential Ashanti funeral dance, its slow, dignified movements conveying both grief and respect.

Sources & References

  1. De Witte, Marleen. Long Live the Dead! Changing Funeral Celebrations in Asante, Ghana. Aksant Academic Publishers, 2001.
  2. Secretan, Thierry. Going Into Darkness: Fantastic Coffins from Africa. Thames & Hudson, 1995.
  3. Bonsu, Samuel K., and Russell W. Belk. 'Do Not Go Cheaply into That Good Night: Death-Ritual Consumption in Asante, Ghana.' Journal of Consumer Research 30, no. 1 (2003): 41-55.
  4. Van der Geest, Sjaak. 'Dying Peacefully: Considering Good Death and Bad Death in Kwahu-Tafo, Ghana.' Social Science & Medicine 58, no. 5 (2004): 899-911.
  5. Paa Joe and the Lion. Documentary film directed by Benjamin Wigley, 2016.
  6. Rattray, R.S. Religion and Art in Ashanti. Oxford University Press, 1927.

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